I think that would be really fun.īut stepping into an arena, after a couple of years of not doing it … I would be lying if I said that there wasn’t some anxiety attached to that and some self-doubt, like, “Am I good enough for this? Can we pull this off?” You worked so hard to see a vision come to fruition, but you almost kill yourself doing it. I really love producing, and I think that goes back to the days where I was super-young and on a shoestring budget, having to create my own demos and then try to hone in on a sound, you know? I found a lot of joy in expressing myself that way, so I think it would be really fulfilling and rewarding to produce an artist that has really great songs and to be able to cohesively work with them. What would you like to try in the future, career-wise, that you haven’t done yet? But I just try to be mindful that I’m not using anything as a crutch, or that I’m not a slave to anything, and that can be caffeine or whatever. But I think maybe as I’ve gotten busier, as I’ve gotten older, I find it to be a little bit more anxiety-inducing than I would like. There was a time when it really did serve me well. To be honest, I don’t really partake in marijuana much anymore. I studied with a tutor for a handful of years, and I’m inspired to maybe try to learn and create a song in Spanish at some point.ĭoes weed help your creativity? Does it help you deal with stress? The language is beautiful, but when you translate it into English, the poeticism is largely lost. When you played in Deep Ellum in 2019, you covered a Selena song (“Como La Flor”). You seem to have a real affinity for Latin music. One minute it’s classical Spanish guitar, and the next it’s Peruvian shaman chants, and India.Arie, and “Gracias a la Vida,” the song in Spanish that I made the bookend of Star-Crossed. I was also listening to a lot of Vivaldi and the Johns Hopkins Psilocybin Playlist, which is wonderful. Star-Crossed is just a huge patchwork quilt of all these influences that I am inspired by … late ‘90s/early 2000s pop like the Avalanches, and then bands like America, the Eagles and Neil Young. I could have made Golden Hour again, but I definitely wouldn’t respect myself as a creator for doing that, and I think true music fans wouldn’t respect that either, you know? The real mark of something authentic is something that feels like a risk, instead of making the same thing over and over.
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